This is one of the very few things that I kept from my mother’s house. Most of the photos I have posted from there are just that, photos. This little gouache is one of the exceptions. If ever there were an argument for doing a rendering by hand, this would be it.
Been taking a leisurely stroll through one of my favorite blogs, Present & Correct. If you decide to pay them a visit (and I think you won’t regret it if you do), you’ll find an expertly textured curation of great visuals…new, old and somewhere in between. Case in point, these handwriting analysis charts. What does your penmanship say about YOU? If you think about it, this chart is nearing obsolescence.
Oh, and don’t forget to visit their shop.
I assume that these studies in perspective, drawn by my stepfather, were from his freshman or sophomore year at art school during the early 1930s. My assumption is based on my own first year in art school. I did many of these same types of drawings for a class called “Drawing Perception.” The only difference being that our professor had us using a No. 2 pencil on a kind of drawing vellum, and erasers were absolutely verboten. Even, in some cases, grounds for failure. The pieces here are yet another part of the analog trove of work found at my mother’s house. Note his very stylized signature.
I came upon this box of wooden eyeglass models when going through my mother’s house. The pieces were stacked on end, so it wasn’t immediately obvious what they were. Holy crap!!! What a crazy wonderful surprise. Howard G. Jones, my stepfather, was an industrial designer who was born in 1910. He knew how to do things the old fashioned way, and these treasures are perfect examples of his world of analog design.
Amazing color studies created by my stepfather Howard G. Jones, and his first wife Eleanor. I believe they were both in art school at the time. In 1926! The first in a series of posts on analog designs and quirky objects discovered in my mother’s home.
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