I went to art school with Scott Kelley. We lost touch a long time ago but, today, in my search for rope, I accidentally came across his obsessive paintings of these warp lines, which are traditionally heavy ropes used for anchoring, towing or mooring a boat. In this case, the warp is called pot warp, and it is specifically the line used by lobstermen to secure their traps. Scott does, after all, live in Maine. For more go here. And Scott, sorry for the crop here and there. Just wanted to get up closer to the detail.
My friend Nancy is an accomplished surface designer who, over the years, has created a range of hand-painted dinnerware for various clients here and far. I asked her if she would send me the rough swatches of stripes and marks that are a product of her pattern development . She happily complied. This is only the smallest selection from her archive. Again, it’s the process that catches my eye. Sometimes I feel as though we are losing out to technology when it comes to the incremental stages of creativity. Maybe. Maybe not.
I’ve made no secret of my love for the cigarette card collection at the NY Public Library. Here is a single painting broken into 45 parts. Click here to see the who and the what.
Paintings of steak by Vincent Kohler. Never would have found these if not for the always interesting blog over at Present & Correct. Saw some other paintings of wood by the same artist, and then promptly jumped down the rabbit hole.
In line with an earlier post about barbed wire and its many iterations…here are a couple of sketches of mine (of which a good number of the designs are aggregated from The Early Office Museum) representing just a tiny swath of all the paper clips out there. Did you know that the original Gem paper clip, introduced as early as 1892, and the one most commonly used, was never patented? Ouch. For a little history go here.
Delightful and slightly wicked drawing by the grandchild of the late H. D. Stephens, the creator of this flow chart. Talented gene pool!!
Old art supplies being dragged out from retirement. These are Blending Stumps and Tortillions, used to smear and blend graphite, pastel and charcoal. The stumps and tortillions are both made from rolled felt paper. The stumps are double-ended and the tortillions are single ended. I never noticed until now, but it looks to me as though they are mostly made in China.
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