“WHAT, you don’t know about the meringue?!!” screeched my brother and H. “HOW could you have missed it?” “It’s been in H’s freezer since that New Year’s Eve party we had back in 1979!” “Haven’t you ever seen it on the door?” John, my brother’s partner, gives us a sideways look. I sense that he is questioning our mental stability.

“Okay, okay…yes I have a vague memory of it.” I think to myself that they are referring to that teacup-size thing, enshrouded in plastic, sitting alone on the shelf of the freezer door. The thing I’ve often been tempted to throw in the trash. I admit to myself that I never really thought much about it and, in a slightly ashamed tone, confess my obliviousness.

How COULD I have missed its significance? Jeez, it’s been there for a good 33 years and counting. It now officially qualifies as an antique.

I ask if I can borrow it to take photographs, but dodge an immediate round of outrage spit at me from both sides of the dinner table. “Are you crazy?!” “You absolutely cannot remove it, much less unwrap it!” “No way.” They are united in their defense of this frostbitten wad of sugar, cream of tartar, vanilla and egg whites. My brother adds that it is PERFECT. He reminds me of that pre-party madness long ago when he made the meringues for a crowd of 25. He conjures up images of a sixteen year old self, hunched over his cookie sheet, pastry bag in hand, piping out the glossy swirled receptacles that will later hold chocolate mousse, orange segments macerated in grand-marnier, all crowned with lightly sweetened whipped cream. He recalls throwing out two thirds of his creations, only keeping those that met his highest standards of perfection. I finally convince them that it’s worth a look. My brother concedes that it’s probably ossified, and that taking the cling wrap off will unlikely compromise its integrity. We rush back to the apartment before dark in order to rig up a quick photo shoot. This is the one meringue that is preserved for posterity. And it is indeed perfect.

I am always on the lookout for good packaging, so imagine my total delight when I found an entire box of Wiffle Balls sitting on a bottom shelf in the toy section of our local supermarket. The packaging looks almost unchanged from earlier versions. And, as far as I’m concerned, they should keep it that way. Made in Connecticut since 1953, the Wiffle® Ball was invented by David N. Mullany. At the time, he was an unemployed semi-professional pitcher who saw his 12 year old son making a mess of his arm after throwing too many curve balls with a standard baseball. For more history and rules go here. And, thanks to my friend Nancy’s superior memory, here is a story that ran on NPR in September of last year.

If you mishandle a ceramic plate or a water glass, it’ll chip or crack. In which case, it is likely rendered less useful and reliable. There are no easy fixes for either material. Sure, you can glue a plate or vessel back together, and you can sand down a rough spot on the edge of a glass, but as a consequence, its original function is somehow downgraded. (Although if you’ve ever seen a pottery vessel stitched together as a result of a break, you’ll certainly appreciate its beauty.) Believe it or not, I am not much of a collector. At least not intentionally. And these days I definitely think twice before adding anything to our lives. But, I looked around me the other day and realized that I have many many pieces of enameled metal: containers and plates and vases and trays, all of which get used almost daily. The large oval platters pictured here are, I confess, a recent purchase from Bought & Sold (the rustic branch of Lee Hartwell Antiques), one of my favorite shops in Callicoon. My personal feeling is that enamelware only gets better with time. The scratches, the dents, even the wearing away of the enamel all add character, but never really end up compromising its use. Unless we are talking about a cooking pot, which I’ve heard isn’t wise to use after the coating wears away. And certainly the most abused pieces can end up with holes. But a soldered patch can bring those items back to life. Here and here are some other pieces I’ve posted about before. The cup is a daily reminder to live simply.

“Lay on Ground, Light Fuse, Retire Quickly” is the first line of the story in the NYT about the sale of George Moyer’s enormous firecracker collection. Moyer is a pyrotechnician and fireman from Pennsylvania, so it stands to reason that he might have an outsized interest in any and all types of explosives. The photos aren’t the best, but that’s the consequence of a massive drag and drop operation. The entire collection was/is online at Morphy’s Auction House. Oh, and Happy Fourth of July!!