A.W. Faber: Pencil Pusher

Wednesday 04.11.12

I literally gasped when I saw these lithographed renderings from A.W. Faber’s late 19th century catalog of pencils and other office supplies. The pamphlet cover states that Faber has factories in France and Germany and “houses” in London, Paris and Berlin. But the company address is at 78 Reade Street, right here in NYC. I applaud the University of Houston libraries: another superb digital archive. I came to this collection first via Tom Lynch’s blog Went Sketching. One of his posts then led me to the over-the-top obsessed German pencil-centric blog Lexikaliker. I love the interwebs.

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Blending Stumps & Tortillions

Tuesday 04.10.12

Old art supplies being dragged out from retirement. These are Blending Stumps and Tortillions, used to smear and blend graphite, pastel and charcoal. The stumps and tortillions are both made from rolled felt paper. The stumps are double-ended and the tortillions are single ended. I never noticed until now, but it looks to me as though they are mostly made in China.

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Old Rubberbands

Monday 04.09.12

I’m thinking about making a really large painting or drawing of these. Hey, why not?

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And Today We Are Two!

Wednesday 04.04.12

So, as of today Mrs. Easton is two years old!! It doesn’t seem like much, and then again it does. In baby terms, I am now officially a toddler. I started this little venture as a sort of personal diary…for all to see. I only wanted to post images of what I truly loved. And I figured that maybe, if I hewed to my own way of seeing things, others might enjoy the occasional posting here and there. I also told myself that if ever this became a bother instead of a pleasure, then I would summarily pull the plug. Well, I am delighted to report that hasn’t happened. I am particularly grateful (and always delighted) by the kind words of support from Mrs. Easton’s readers!! Happy Birthday.

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Not Quite as Painful as It Appears

Monday 04.02.12

I think the idea here is that the relaxamat is meant to replicate the experience, in a far more benign and less scary manner, of the traditional bed of nails. Regardless, I think it has tremendous graphic appeal.

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